You know what's great?
Meeting a new person and having them ask, "So what do you do?"
You tell that person you're an author and they immediately say, "Oh yeah? I've thought about writing a book. I have this great idea..."
Everyone thinks they can write. Hell, everyone thinks they
should write. It's an incredibly bloated market and these people who "have this great idea" don't seem to care that you've spent fifteen years honing your craft, improving your grasp of the language, your ability to plot, your use of foreshadowing and dramatic irony. Most of those folks don't know what dramatic irony is. They wouldn't be able to tell you what the six key elements of a story are (exposition, narrative hook, rising action, climax, falling action, denouement). They wouldn't know the meaning of most of these terms: allegory, allusion, foil, antagonist, archetype, situational irony, didactic character, 3rd-person limited POV versus 3rd-person omniscient POV, tragic flaw or unreliable narrator.
Hell, half these people don't even
read books.
But why not write?
Anyone can write.
Not just anyone
should, however. Stringing coherent sentences together is not at all the same as understanding how to tell a good story. I realized this when I was working as an acquisitions editor for a small publishing company. I had to resign because the work submitted to me as "ready" for publication was literally strangling my own muse. The worst thing ever was a 'children's' book, a proposed series of a spunky little girl who solves mysteries in her neighborhood. Sounds good, right? Well, by the way, the little girl is assisted by the spirit of her talking dog. The dog couldn't talk when it was alive, but when her father murdered it, something in passing over made its ghost able to communicate. Nifty, huh? Oh and by the way, her father also rapes and molests her repeatedly, not as part of the plot, but just as a by-the-way sort of thing. But nothing can get this spunky little girl down! I almost hurled. This was supposed to be a kids' book. I am
not kidding.
I'm tired of people thinking they could sit down and do my job. Do what I've spent years learning how to do. Who thinks they could be a doctor after watching
ER? Who considers picking up spare income by moonlighting as a private eye after watching
Monk? It takes serious effort to get good at this. Hard work does pay off, yes, but how many of those people who "have this great idea" actually set pen to paper (or fingers to keyboard)? But they're sure they could if they only had time.
Well, guess what? That's part of it. Prioritizing it as something you do, every day, because you want to and because you love it.
But what do I know? Anyone can write.
(This rant brought to you by the letter G and the number 5.)Labels: SBD
I especially do like the people who don't read. Uh...isn't there a huge logical flaw there? You don't like to read but you want to write a book. You have to read in order to write. If people don't read, there will be no books. It just goes in circles, much like my eyes rolling when someone says they want to write a book but don't read.
If I said I was a teacher (and I've completed all the education classes I need to teach, might get a job here in the fall), would someone say, "Oh, I've always thought about teaching. I totally should."
Uh. No.
Writing seriously is a profession, not a fucking hobby, and the people who don't get that piss me off.
Yupp, the only thing better than, "I could do that..." is the eye roll/lip curl you get when you say "romance" or "erotica".
Or is it the dreaded, "Really ,what have you published?" Because all those ANYONE'S who could write a book all know the completed mss I have aren't 'real' books and I'm not 'really' a writer until published.
Reaction A (envy)
"I wish I could sit home on my ass all day. Must be nice."
Because it doesn't equate to real work.
Reaction B (condescension)
"Oh, right. The writing thing. Good luck with that. Get in touch if you need a real job. What kind of money do you make doing that again?"
Again, it doesn't equate to real work. And it's none of their damn business whether I make 100K or a dime a year. Would you ask a friend who was an attorney how much they pulled down? "Hey, what were your billable hours last year, Chuck? Damn! You really gouged them..."
Reaction C (misplaced enthusiasm)
"Really, you write? Cool! My mom had the most interesting life, you should totally meet her and write her biography. I bet it would be a bestseller because it's really inspirational and she was poor, y'know..."
Of all the reactions, that's actually my favorite, although it's hopeless to tell an excited someone that you write romances (or insert genre here), not nonfiction or biographies.
Freaking people.
I'm more on the lines of marvelling and wondering how the hell did he/she do that when I read a great book. It's like a small miracle to me. I've read romance since I was 13 but there's no way that I could write it or any other kind of fiction. I'm quite content to leave that to the experts.
love to you, BB. You're my ideal audience.
I always have to tell them that ideas are a dime a dozen. I have more ideas than I'll ever, ever be able to write, so feel free to take your wonderful idea and go write the book yourself.
I think it was Lawrence Block who pointed out that people assume since they can write a letter to Aunt Ruth, they can write a novel. It's just more words, right?
And no kidding about the "Here's my idea, you write it, and we'll split the money" thing. I had so much fun once, explaining, "No, what you're talking about is a collaboration. For that to occur, you would need to do half the work: writing, editing, submission and promotion. If you simply want your life story told, you'll need to hire me as as a ghost writer. Are you interested in doing that? I get $40 an hour and I can have contracts to you in the morning, if you wish."
(pregnant pause)
"No? Oh, too bad. But I really didn't have time to take on another project, what with my other deadlines. Good luck finding a ghostwriter!"
I get the "erotica/romance" reaction a lot for horror. I'm not a romance fan, but I don't read it, that doesn't mean I don't respect those who write it. My favorite so far has been "Oh, you're a writer? What do you write?" "Horror, dark fantasy and sci fi sometimes too." "Oh, I don't like that stuff." And then the woman didn't talk to me again even though we were both volunteers at the same event. Crazy.
Then again, I do have a Lit degree so I've read a lot of boring stuff that people say are classics. Whether it actually made me a better writer is another discussion.
That's a good point. I'm the first one to snark on a cover for being hideous. I even made a couple of sample covers for my own serial projects to prove I could do something basic but attractive. And I haven't gone to design school or anything. Just who do I think I am?!
However, my chief object in most designs is that the artist shoots too high. If they went with something simpler, it would be a lot better, and maybe that's the author's fault for not knowing what's reasonable in their art requests. Maybe artists should get better at saying, "No, there's no way that's going to look good. You need (X, Y and Z) cut out or people are going to point and laugh."
Maybe I'll email April Martinez and Anne Cain, ask what their secret is.